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The significance of Demetrius at Shakespeare's A Midsummer Night's Dream The personality, Demetrius, at Shakespeare's A Midsummer Night's Dream, is extremely difficult to identify except by his relation to the one he loves, or, more especially, to the person who adores him. Helena's ridiculous chasing after him and his annoyance with her are the primary marks of his character. In this condition, he even begins to threaten Helena with physical injury, coming off just as quite the gracious courtly fan he truly means to be. It is easy to discover his unchivalrous personality by how readily his eye was diverted from Helena from Hermia in the start. He may be a gentle, loving guy if he truly desired, but he takes satisfaction being placed into his place by others. In the end, still under the spell of fairy magic and therefore not seeing with true eyes, he seems a bit imbecilic laughing in the behaved "lovers" from the play. He does not know it, but he's in a drama of his own. Likewise, much like all the other figures, what occurs to him is far more intriguing than the kind of character he is. Shakespeare portrays the personality, Demetrius, throughout the drama like lacking self-confidence, rude, savage, lacking individuality and unromantic. Since Demetrius just includes two lines during the whole first act, it shows that he can't stand up for himself, but similarly, this absence of speech shows his lack of self-confidence and image: "Relent, sweet Hermia, and, Lysander, yield Thy crazed title to my certain right" (Demetrius, 1.1.93-94). Demetrius considers that since he has Egeus' acceptance, that Hermia should relinquish to him and says that Lysander is moving contrary to his liberty. Demetrius benefit from his stature by claiming Hermia because of r.. .