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Feminine Sexuality and Enthusiasm in Kate Chopin's The Storm In Kate Chopin's short tale The Storm, the narrative surrounds the short extramarital affair of two people, Alcée and calixta. Many critics usually do not start to see the story as a condemnation of infidelity, but instead as an affirmation of human sexuality. This essay argues that "The Storm" could be interpreted as an affirmation of feminine sexuality and passion in addition to a condemnation of its repression by the constraints of society. If one is normally to try and interpret The Storm, it is needed to examine the circumstances encircling the story's genesis. The complete tale was written in 1898, very soon after Chopin had finished "The Awakening", "the boldest treatment up to now in American literature of the sensuous, independant female" (Seyersted 1969, p164). "The Storm" had not been published, nevertheless, until well after Chopin's death, doubtless due to the as-yet unparalleled sensuousness of the story and its characters. In his critical biography Kate Chopin, Per Seyersted argues that "The Storm" is objective in its portrayal of human sexuality and that Chopin is "not consciously speaking as a female, but as a person" (p169). One must question this assertion, nevertheless; it really is doubtful that on paper "The Storm" so immediately after completing her 'feminist' novel, Chopin got "the protest of "The Awakening" off her mind" (p169). The name of "The Storm", with its apparent connotations of sexual passion and energy, is of course vital to any interpretation of the narrative. Chopin's name refers to nature, which is feminine symbolically; the storm is seen as symbolic of feminine sexuality and passion therefore, and the image of the storm shall.