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So as to determine if Antony is a tragic hero in Antony and Cleopatra, then we must first define precisely what a tragic protagonist is, even before being able to reevaluate whether Antony is depicted as such. It's usually admitted that a tragic hero is really a "man of noble prestige", who falls out of a place grace, who displays many extraordinary qualities that set him apart from other men and who is a remarkable instance of someone in his place. An integral part of a tragic hero is that the audience must feel pity for the character's ignorance or death and there are several reasons both why the audience could feel pity for and the reason why they would not feel guilt for Antony upon his own departure. Antony is often highly regarded and his status as a tragic hero is raised through the others' accounts of him, as well as through poetic nature of the characters' address, regardless of the irresponsible belief we get of him. As an instance, Enobarbus commented that he's "nobler than that the result is infamous". Furthermore, Philo's initial dialogue concerning Antony at Act 1.1.1-9 speaks highly of him: "Individuals his godly eyes,/Which o’er the files and musters of the war/Have glowed like plated Mars, now bend, now turn/The workplace and loyalty of the view/Upon a tawny front." In the same way, Cleopatra exclaims "his legs bestrid the ocean; his reared arm Crested the world". This poetic image summarizes her positive view of Antony, by talking about him in such cosmic proportions, so strengthening Antony's stature. Additional despite Caesar being portrayed as a round much better boss than Antony, even he's got respect for Antony, as shown in Act 1.4.69-72. And all this - It wounds thine honour that I speak it today Was borne so like a soldier that thy cheek Thus m.. .