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In his early twenties, George Orwell (1946) started a line of work he would later phrase "an improper profession": Section from the Indian Imperial Police in Burma, which began his transformation into a author of mostly political topics. His article "Shooting an Elephant" describes his feelings of frustration at trying to carry out his duty -- shooting a mad elephant discovered to have broken its series, destroyed house, and killed a man -- while preventing the ridicule of the neighborhood population. (Orwell, 1936) The sea is seen to symbolize several individuals and groups in the story, held by various chains within their different circumstances. Orwell (1936) began his story complaining of the animosity of their local people, but immediately moved to his own hatred of his position for a representative of the British royal government. Though secretly sympathetic to the natives and their resentment of European intrusion into their state, he couldn't openly state or act upon that belief, and thus experienced the exact same derision because his countrymen. Recognizing the exceptional military capacity of their occupiers, the Burmans limited their expression of the resentment to "secure" activities, from a plausibly accidental missed phone in the span of a sporting occasion to insults and sneers about the public streets. (Orwell, 1936) The action of this story commences in this framework of tension, of powerful feelings muzzled by more powerful anxieties. Receiving a phone call one morning with all the troubling news of an elephant at the madness of musth, Orwell (1936) set out, equipped with just a little rifle and his decision to save face. Villagers in a poorer section of town claimed that the beast had ruined dwellings and a few shops at th...