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In Imagined Communities, Benedict Anderson pieces forth his theory of the country, that "it really is an imagined political community - and imagined as both inherently limited and sovereign." The types of communities envisioned by the three main novels we've studied thus far aren't all that dissimilar. These communities are stifling for the primary characters, who all look for some type or another of acceptance: Clare, to feel in the home within on lifestyle or another, Rosa to get the acceptance of herself without the title of Lionel's child, having to surpass the targets that she'd continue her father's legacy, and Rahel, the acceptance and like of Ammu and the forgiveness of Velutha and Sophie Mol. These communities change from the ones that novelists have traditionally portrayed previously, such as for example in British or American literature, in that all of them are non-Eurocentric, a variety of classes sometimes appears in each, and the grouped communities are complex, having "communities nestled within those communities" that the authors are presenting. This essay will examine the way the presssing problems of gender, class, competition, or nationality complicate the currently complex communities portrayed and in addition how these same problems complicate the tentative imagined community between your novelists and their target audience. The first novel I'll look at with regards to the aforementioned problems is Michelle Cliff's Zero Telephone to Heaven. Personally i think it is particularly both issues of competition and nationality which persuade further complicate Clare's community. As mentioned in the essential responses, there is an apparent catch-22 for the person of Color, whether he should commit himself to the dominating Light culture, and then be seen as an unhealthy imitator by whites, who'll at a moments.