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Among manвЂ™s hardest barriers to overcome is that of the actual versus the perfect (Melani 1). There's nearly always a inclination to think of the inaccessible, leaving man in a location more empty and isolated than ever before. Maybe it is what happened in oneвЂ™so past that forces one into a state of oblivion, depression, and helplessness, and regrettably the consequences almost always completely affect the individual trying to escape. The world we are living in is a powerful, destructive place if we allow our fears and depression to overtake us. Even the fairytale world we want to reside in is just simply too much for our grips, and also, if not careful, we wind up alone and in desperation. Our imagination has ever been encouraged and preferred, but it too is strong. And when not used correctly, we can transfer ourselves into a world much better than anything ground might provide for us. This is all delightful and fulfilling, until it is time for our departure back in reality, in which our ideal world entirely demolishes any expectation of everything we want to become a вЂњnormalвЂќ everyday life. John KeatsвЂ™ La Belle Dame Sans Merci, along with the lovely woman without mercy (Cummings), is a typical romantic poem absolutely depicting this ongoing battle with the ideal. His usage of dim diction, detailed vision, along with the contrast in the dialogue he generates between both speakers all add to the overall meaning, that even though our dreams may bring us pleasure and joy, when itвЂ™so time to wake up, you never know exactly how empty your world may become. John Keats was no exception in regards to using a difficult life, filled with heartbreak and the loss of loved ones. He, like some other great poets of the Romantic time, had just a brief stay on earth, dying at the young age of twenty five (...