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"I decline to accept the end of man...I feel that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance." -William Faulkner, Nobel Prize Acceptance Speech, 1949 William Faulkner illustrates many dimensions of prayer in Light in August: his personalities avoid it, misuse it, adopt it, and attribute it. In each circumstance, Faulkner portrays prayer's ability on the psyche. His fictional universe sounds Godless, however his characters' struggle to prevail throughout prayer. Joanna Burden, Gail Hightower, and Joe Christmas exemplify three distinct ways to prayer. Joanna ends toward prayer shortly before she is killed; Hightower turns out of it and feels free before his symbolic death; along with Christmas, who's murdered in the end, prays throughout the publication. In comparing those three, Faulkner rejects pompous prayers and advocates for authenticity. Faulkner suggests that it's better to prevent prayer entirely, such as Lena Grove, the happy pagan, than to be stunted by false prayer, such as Hightower. To emphasize these extremes, Faulkner awakens his book with anxieties between Judeo-Christianity and paganism, fulfilling his personalities with an urge to somehow find something irreversible. First, Joanna wrestles with her religion, but her shift toward prayer brings pride and prejudice. Faulkner's very first mention of prayer with regard to Joanna actually comes during Joe: he observes her longing to meet God on her own terms and her fight to achieve this: "She wants to prays, but she do not know how to do this either" (Faulkner 261). Faulkner inten...