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The short stories The Revolt of Mother by Mary E. Wilkins Freeman and The Yellow Wallpaper by Charlotte Perkins Gilman equally have powerful central themes dealing with sex roles and the domestic life that confined nineteenth century women. While the girls in both of these stories change the protagonist at the Freeman story takes positive charge of her situation and facilitates dynamic change in her lifetime, while lady from the Gilman story slides into insanity. The two stories use figurative language in the kind of symbolism, and irony, to exemplify the themes and to set the tone to the story. Both rely upon diction in order to add depth to the characters. The two stories discuss common central motif of negative female sex identification and the lower role of women in the twentieth century as compared to men of the exact same age. In the brief story The Revolt of Mother the fundamental personality Sara is a spouse of twenty five years whose husband Adoniram is much more worried about barns and outbuildings for his farm than of bringing his family home and living conditions around standard. In the job The Yellow Wallpaper the central character is a spouse in a middle-class union who's experiencing what appears to be post partum depression. Her psychological therapy is a form of quasi sensory syndrome that entails her being sequestered into a room where she becomes obsessed with the patterns on the background. In both stories that the women are expected to reside at a childlike state of unawareness stifling their development and aspirations. From The Yellow Wallpaper the husband refers to his adult wife as a child when he says вЂњWhat is it, small girl?вЂќ(Gilman). The farm wife in The Revolt of Mother will be told by her husband to вЂњtend to your own affairsвЂќ (Freeman) if...