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A Reading of John Donne's 'The Flea' It's quite common to ascribe to Donne the position of archetypal logical poet- a guy whose works are firmly crafted, confident, and specific in their software of analogy and metaphor. True enough, Donne’s poem appears to recommend a specific self-security: we visit a tight, predictable rhyme scheme, and an ordered structure. Addititionally there is arguably an abundance of rhetorical assets - Donne will not shy from using the lexis of the armed service (“triumph’st”), the medical (“two bloodsmingled”) or also the spiritual (“cloysterd”, “sacrilege”). Such an attribute that may be examine as hinting at Donne’s essential self-confidence in his capability to generate a unified philosophy, to adjust an array of discourses, to show poetic craft. However, I wish to recommend that the relations of power and placement of sexuality in this little poem are a good deal less certain than this interpretation might suggest. At least, Donne isn't providing a stylised basically, easy conclusion but is participating in a genuine rhetorical struggle. He chooses to hire exuberant, self-conscious metaphors that frequently contradict themselves. The final outcome of his poem, So much honor just, when thou yeeld'st to mee, Will wast, as this flea's death tooke life from thee simultaneously insists on the identification of the flea with the sexual union (i.e. it could be in comparison to ‘yielding’) and on the impossibility to do so (discussing the mistress’ counter-argument, where in fact the flea’s death can't be equated to the loss of life of guy and wife). That's, one might translate this is of the climax as: ‘this flea’s death didn't kill you, and therefore the flea cannot be determined with us, however this flea rep...