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Throughout this semester, we have intensively examined how computer science is related to the world around us, through video games, database technologies, and artificial intelligence. But what we have not discussed is the way all of these subjects in computer engineering, such as pep8, pseudo code, gates and circuits, relate to our artistic universe; dance, music, and live theater. Adhering to a sheet of songs, or even as an audience member watching a dance or theater performance, one assumes that the whole creation, originated solely by the imagination of those involved. What most don't realize, is that the intensive understanding of computer science that those musicians are required to must make a production happen. The technical crew of a series raises the curtain on theatrical and technical automation, and a musician employs many different software applications to create digital audio. But what would occur if those responsibilities were given only to an smartphone? Or moreover, what could occur if a computer was given the capacity for precisely the exact same artistic understanding that's required to perform these forms of art? This sort of intelligent environment can expand the expressive capacity of the arts and in computer science in a lot of ways, but will it influence the viewers and actors perception of their traditions of dancing, music, and theatre? While intelligence technology often enables new ways of creation, it may also harbor a lack of imagination in the arts, and lacks the вЂњreal worldвЂќ knowledge that an artist, musician, dancer, or choreographer has. Assessing how the arts have contributed and affected to inventions in artificial intelligence so far, will help us to understand and predict how it can hinder or benefit the creativity and truth of their arts, also as.