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Symbolism, Imagery and Allegory in Cat on a Hot Tin Roof and A Streetcar Named Desire Tennessee Williams stated, in the foreword to Camino Real, "a symbol in a drama has only one valid purpose, and that is to say a thing more directly and simply and superbly than it may be stated in words." Symbolism is employed, along with vision and allegory to that effect in equally Cat on a Hot Tin Roof and A Streetcar Named Desire. Both plays tend to share exactly the very same types of symbols and motifs; occasionally they attain precisely the identical significance, occasionally not. It's possible that Williams' took elements from A Streetcar Named Desire to Generate Cat on a Hot Tin Roof a success. Following the victory of A Streetcar Named Desire, Williams' next 2 plays The Rose Tattoo and Camino Real did not relive the victory of the predecessor, it is therefore wise to presume that Williams went back to his 'winning formula'. A prominent emblem in both functions is that of alcohol as an escape. In Cat on a Hot Tin Roof Brick's crutch is really a sign of his dependence on alcohol. Thomas Adler says, "The injured leg is obviously meant to symbolize a loss of electricity; without the crutch he is dependent on others. [however, he] depends on another type of crutch, drink, to see him through." (Adler p.149-150).) I concur with Griffin if she says "Brick beverages to escape a fact he cannot face, that he induced his friend Skipper's departure" (Griffin p.153). Brick takes his physical and metaphorical crutch to defend himself from his past, although at the identical time reliving an idealised version of yesteryear. Brick prefer to lean on his 'crutch' compared to Maggie, that can be expressed from the play's dialog: MARGARET: Thin on me. BRICK: No, only...