Get help with any kind of project - from a high school essay to a PhD dissertation
The first modern book had no clear branches between fantasy and realism. Defoe's Robinson Crusoe, for example, has worldwide appeal in that it deals with and develops real moral and psychological problems, but the storyline still depends upon outstanding settings and events (Konigsberg 18). Also, Defoe employed a literary "editor," and preface, among other things, to make his work seem like an authentic record and for that reason a rewarding read. Since the literary form evolved, novelists started to separate from fantasy, interested more in producing logical characters and scenarios than claiming their "truth" with fictional documents. The more explicit apparatus of authenticity faded in use, and a new sense of self-awareness emerged as novelists argued for validity within the story. At Henry Fielding's Tom Jones, the narrative is just as essential as its own construction. Even the narrator, sometimes barely distinguishable from the author, frequently intrudes, expounding about the narrative but also explaining how and why the storyline functions. The meticulous documentation of the "artwork" of the novel indicates that writing books (and reading them) isn't idle job. From Jane Austen's period, the genre had a clear enough definition of itself that her narrators rarely occasioned to drool such as Fielding's. Her first novel, Northanger Abbey contains some intrusive passages, however, even as a beginner, she was creating a far more subtle way of commentary. Austen argues for the publication without lengthy disturbance, but such as Fielding, forgoes authenticity in the procedure. By exposing the author's procedure and methods, Northanger Abbey and Tom Jones both uttered the inherent fictionality of their work, but more importantly, they.