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The Use of Symbolism in T.S. Eliot's, The Love Song of J. Alfred Prufrock A well-written poem is constructed from amounts. Each degree alludes to another until the greatest discovery of this poet's message. "The Love Song of J. Alfred Prufrock," by T. S. Eliot, gives a perfect case of a well-crafted poem included of sequential levels, also known as a framed story. At the level just below the very surface, the poem obscurely tells the story of a failed lobster prophet, resurrected from the dead to warn different lobsters of this unkind fate that awaits them in the event of their catch. At the course of the narrative, the lobster prophet falls prey into the harvest of a freshwater catcher and is then sent to a restaurant as food. While in the tank with another lobsters, he reflects on and laments his entire life. This interpretation serves as a vehicle for presenting the true message of the poem, which exists on another degree, to this audience. The story of this lobster signifies Eliot's personal fear of individuals overlooking the messages that he tries to convey in his poetry. While he's learned this lesson from preceding poems, he feels an endeavor to save his future poems is useless in exactly the identical manner as a single lobster saving another is unworthy. 1 indicator that the lobster interpretation exists in the level beneath the top layer of the poem is the yellow fog that fills the "... sawdust restaurants with oyster-shells" (Eliot L. 7). The character describes "The yellow fog that rubs its back upon the window panes /. Lingered upon the pools that stand in drains" (Eliot LL. 15&18). The yellow fog in the passing is that the steam from a restaurant lobster pot which comes and hamburgers that the lobsters. The yellow fog receives its colour from the dim yellowish light of...