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Subjective Reality in Anne Carson's Autobiography of Red Anne Carson's Autobiography of Red is a universe of subjective reality. Carson explores the relationship between subject and object by means of a reworking of the original Greek myth. The first fantasy is of Herakles, who is tenth labor was supposed to kill Geryon, a reddish winged monster who lived on an island, and steal his cows. Carson chooses the insignificant nature of Geryon and produces a narrative based on his lifestyle, like set in contemporary times. Autobiography of Red goes a world of ambiguity, in which all things are contested and forced into issues. Geryon is the subject of Autobiography of Red. The title alone delineates the simple fact that Geryon writes this narrative about himself. It is his autobiography; he is both the writer and the topic. In the original myth, Herakles was that the matter, and Geryon was an object in Herakles' story. Anne Carson molds the slightest references to Geryon in the first myth and creates a narrative for him, his own story. Geryon additionally becomes the author of their own narrative. Before Geryon learns how to compose, he begins his own autobiography: "In this work Geryon put down all inside matters / [...] He coolly omitted all outside things." (29).) Geryon's autobiography dismisses the realities set by external forces. The autobiography consists only of what is a proven fact to Geryon. That can be a subjective world, because everybody's individual reality differs. It cannot be standardized and set like external extremes. He begins this autobiography for a sculpture, because his mom tells a friend: "[Geryon's] appropriate here working on his own autobiography / [...] it's a sculpture he doesn't know how to write yet" (35). On his sculpture, which is actually a t.. .