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Nowadays, it's very uncommon to come across illustrations in any publication which isn't intended for a kid. However, in the Victorian Era, illustrations were regarded as an essential part of the text accentuating the narrative, also, overall, creating a fuller experience. Ruskin uses sophisticated language and sentence structure; however, he has produced a text that is easily available to a younger crowd. You will find levels of nuance and depth in the story--especially the most moral--to lure readers of any era. The surface simplicity of this ethical permits even the youngest reader to understand from that narrative, but the inherent complexities supply an older audience with significant food for consideration. John Ruskin's transitional narrative The King of the Golden River (1974) captivates a dual audience of both children and adults, and also, in this manner, carries on the legacy of this Victorian illustrated book for adults. Modern Era kids's books typically consist of little more than basic sentences and some pretty pictures. Ruskin nonetheless, doesn't approach his story in a "see spot run" style, but weaves together complex and engaging paragraphs even in the very beginning of the narrative. The book begins "A secluded and secluded portion of Stiria, there is, lately, a valley among the very unexpected and luxuriant fertility." CITE That is a far cry from the traditional and simple "once upon a time" and can be a much more engaging start. From the first beginning Ruskin brings the reader in with a luscious outline to place the scene for the remaining part of the story. While this type of intricate arrangement might be hard for a child to follow along readily, it will teach younger readers to speak in a more refined way. On the flip side, adults will love the high caliber of R.. .