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"Never imagine yourself not to be otherwise than what it may appear to others that what you were or might have been wasn't otherwise than what you had been would have appeared to them to be otherwise" (Carroll 105). This and guidance of the type are often dispensed by the Duchess in Alice's Adventures in Wonderland into Alice, and such as the transition from child to adult, the information is usually rarely completely understood if not confusingly tough to wrap logic around. Many illustrators have mastered the task of conveying a clear picture of this struggle that Alice goes through to be able to succeed over youth and nonsense into the world of logic and adults. Angel Dominguez reveals Alice's battle to develop and out of youth, a significant topic of the text, so in this manner in which the audience can practically feel her anxiety. The use of the human body language of Alice, the Duchess and the supporting creatures, along with compositional elements such as closeness and farming, is a principal mechanism of Dominguez in evoking Alice's anxiety and highlighting the embarrassing passage into adulthood on one's own while managing the pressures and advances of an adult planet. Dominguez prevalently uses facial expressions to convey emotions in his examples, which of "Alice and the Duchess" is no exception. The appearances on the Duchess and also Alice's faces are stark contrasts of every other. Though the Duchess seems delighted in with a company, Alice has been wrought by consternation within the proximity of a man or woman who once told her "If everybody minded their own company the world would go round a deal faster than it does" (Carroll 71). The Duchess's actual grin, given off from the crinkling of her eyes, reveals her pleasure in being so close Alice w.. .