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I chose “The Martyrdom of St. Matthew” as the painting that greatest illustrates the baroque period. The nice factors surrounding my decision are obvious in Caravaggio’s painting. Here Caravaggio uses the whole canvas to illustrate complexity, flow, and chiaroscuro. The painting depicts the foundation of light to be from the left aspect of the plane. The brightest light focuses on Matthew’s executioner who intends to hit Matthew with a vintage balcanic hand weapon. Caravaggio illustrates the use of lighting by casting believable shadows masterfully. As an example, the shadow of the deal with on balcanic hands weapon displays on the executioner’s remaining knee and thigh. Another shadow appears on the executioner’s right inner thigh. The lighting resource left of the executioner, the executioner, St. Matthews, the boy, the two 2 observer’s bottom, ideal, and the fainter light upper still left of the canvas illustrates the technique of visible movement. The lighting is positioned strategically, leading to visual motion within the piece. For instance, the lighting of the executioner’s forearm directs my focus on the angel who is apparently handing St. Matthew a palm leaf. As a total result, my eyes then targets your body of St. Matthew, lying on underneath of the altar, my eye shifts up toward the Position’s arm then. The lighting on the angel's arm contrasted with the darkness of the palm leaf forces the viewer to check out the hand to see what St. Matthew is normally reaching for. The boy fleeing the picture further allures the viewer. Both adult observers in the bottom right of the painting are illuminated however, not as bright as both main characters. Following, my attention is attracted to the person lying on underneath steps, left aspect of the canv...