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Sylvia Plath This point is from Sylvia Plath's poem "Lady Lazarus", among many that helped make her a part of modern American poetry. They've an eerie, prophetic quality, appearing to foreshadow the tragic passing of this young author. Understanding Sylvia Plath's voice call for a better look in both her lifetime and some of her functions. Though critics have described her writing as "governed by unwanted vitalism", her distinct identity has made her a conversation piece among people acquainted with her. (Pollitt 338) But, it is not "negative vitalism" that controls her writing, but simply her approach to dealing with her feelings. She writes out of her adventures, she writes from her spirit. Sylvia Plath's poems reveal the torrential reality of her life and weave together the multiplicity of her feelings. Born in Boston on October 27, 1932 to Otto and Aurelia Plath, Sylvia had a nice start in existence. She grew up in Winthrop, a beachfront town outside of Boston, with her younger brother, Warren. When she was eight years old, her father died as a result of pulmonary embolism following an accident complicated by diabetes. His departure had such an impact on her that she finally became obsessed with dying and wrote many pieces on the subject. In her works, he turned into a Nazi, a devil, along with also a fanatic lover, phoning her into the grave. In college, Sylvia was an outstanding author, winning numerous awards. In 1950, entering college, her first short story, "And Summer won't Come Again" was published in Seventeen magazine. She attended Smith College with a dual scholarship from Wellesly Smith Club and a private fund endowed by Olive Higgins Prouty. In 1952 she won an guest editorship in Mademoiselle's College Board Co.. .