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"Akutagawa Ryunosake opened a hole in our understanding. We circled the edge of the abyss, peering into its depths." Yokomitsu Riichi Truth is not the only relative matter matter Akutagawa Ryunosake questions in his short story, "In a Grove." The text is an enigmatic view of everything from traditional Japanese symbolism to traditional gender roles. These paradoxes are represented not just in the questions raised by each character's version of the fact, but also in the upended stereotypes of traditional Japanese symbols and revealed at each witness' response to the offense. Lately, Akutagawa wraps the entire narrative from the frame of an old Japanese Konjaku folk-tale and rewrites it to tell a contemporary tale in which what's in resistance to conventional Japanese understanding. As reflected in the age he wrote the narrative, Akutagawa throws tradition on its ear and matches the narrative with contradictions. When analyzing the text of "From the Grove," through the lens of Japanese symbolism, every detail from the story is really a comment that opposes a conventional reading of the text. It becomes evident that Akutagawa wasn't only skewering traditional notions of truth however his depictions of the burglar, the samurai and the lady's account of the rape reveals a modernist interpretation of this crime and introduces a "new" response to these thoughts in his story. At first glance, it might appear that this narrative is a laundry list of stereotypical rape myths however the gender roles Akutagawa gifts in this narrative are representative of a new girl who is carrying her destiny in her own hands. This really is a terrible crime which is the best violation of a individual's innermost self. The crime of rape from the story "In the Grove" is throw differently due to cultural and his...