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The Humor in William Shakespeare's Twelfth Night Comedy should amuse a general audience. It's usually a dramatic work that's light, and often satirical in tone. Horace Walpole once said that "life is like a comedy to those who think, and a tragedy to those who feel" This is sometimes regarded as authentic in as we tend to laugh at comic characters, especially comic double acts, but "feel" with tragic characters. The audience in a comedy is very likely to sense itself to be somewhat superior to, and so distant from, the comic characters, even the romantic leads, if it is to laugh at their follies. Comedy could be defined in three chief types; visual, verbal and situational. Visual humour is generally accessible pictures, pictures and the obvious. Verbal humour is your spoken satire, word-play and tales. Situational humour occurs around a plot created by an author. The cynic who stated that "laugh and the world laughs with you, cry and you cry alone" was possibly a theater fanatic. In Shakespeare's plays, this differentiation has the effect of isolating the characters in the end of the tragedies, and linking them in the end of their comedies. Byron might have been misogynistic when he stated that "all comedies end in union" but the service operates as a mark of unification and social harmony in the closure of a humor. Initially, the Twelfth Night has all of the basic comic components; clowns, double acts, girls dressed as men, men dressed as priests and a "sublimely funny" servant, only funny because of his distinct lack of humour. Harold Bloom considers that Twelfth Night is really still amusing to some modern day viewers. In.