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Amadeus Influential Values Peter Shaffer's Amadeus gifts to the reader most human worth. The most notable being envy, deceit and self-sacrifice. During the course of this play these features are displayed through Salieri's actions, emotions and dialogue. The connection between Salieri and Mozart is like a painting, commencing with splattered jealousy following Mozart's extordinary musical talents interrupt Salieri's clean, white, sanity. Splatters become blotches if Mozart utilizes Salieri's "prize student" (33), Katherina Cavalieri, to meet his professional and sexual dreams. Covered in thick, thick black envy, Salieri seeks excitement to better himself than his rival: "As I saw her walk away on the arm of the creature, I felt that the lightning thought hit -- 'Perhaps her! Her for Katherina' Abomination! Never in my life had I ever entertained a notion so sinful!" (39).) The paper then turns black as Salieri's "wanted celebrity" (16) is wrapped by Mozart's egotistical and immature character. As a bit of recycled paper, Salieri starts his murder "at least not in existence. In Art that it was a different matter" (35). The accumulation of Salieri's destructible jealousy is used to sculpt his wicked personality and ultimately result in his master plans of deceit. But not all of Salieri's deceit is put together into a single action, it's portrayed through numerous wicked schemes that wind up composing the murder of Mozart. Salieri treats Mozart as a favorable person from the beginning as well as compliments about how his songs "at its best is really enchanting" (37) and that which a "remarkable memory" (34) he's. This only tricks Mozart and allows for Salieri to move with his first measure of deceit, sleeping with his beautiful wife, Constanze. Even though he never.