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Visit any major museum of art, at any particular time, and one could get plenty of monumental names listed on tiny plaques hanging next to even more familiar works of art. The excitement felt by some art enthusiast when walking in these buildings of time and creation, is undeniable and especially unique. Could it be the air of the building, the presence of art, the folks, maybe the grandeur of this space, or possibly, could it be the spirit of the musicians themselves, peering through the work that they created? As onlookers peer into the artworks in front of these, there is no question regarding whether or not they believed what the artwork means, where it came from and what the artist was curious about who created it. The audience quite perhaps could also wish to have a dialog with this artist and also ask them questions regarding the artwork and exactly what it was that they had been considering when creating it, with a goal of better understanding what they were considering. Since the viewer and after serious contemplation, would you believe you understood the artwork since the artist or artistвЂ™s society thought the work? Could you enjoy the job the same? Walter Benjamin, a well known German-Jewish Marxist literary and cultural critic, philosopher, translator and essayist introduced questions and ideas similar to those in his epic essay, вЂњThe Work of Art in the Age of Mechanical Reproduction.вЂќ He wrote about many different ideas concerning the notion of art, politics, writing and culture. Benjamin was born in Berlin on July 15, 1892. He worked and lived in Germany for nearly all his lifetime. He also earned a Ph. D in 1919, but not held an academic career (egs.edu, 2009). ВЂњHe dedicated his lifeвЂ™s function to writ...