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Love, tough, superstition, spirits, night, religious beliefs, and castles are some of the features of the paradigm of the Medieval genre in books. Horace Warpole’s The Castle of Otranto was the 1st Medieval story and the over factors, which he utilized as tropes, describes the genre. The entire tale of the Castle of Otranto comes after the drop of the protagonist, Manfred, starting with him as a Prince, having to signal his abdication and operating at a convent after that. Prophecy, incest, irony, usurpation, dethroning, and murder are some of the themes that appear in both Horace Warpole’s The Castle of Otranto and Oedipus The King by Sophocles. The Castle of Otranto starts with the loss of life of Conrad, the man heir and boy of Prince Manfred, and starts Manfred’s blind tyranny to attempt to keep the throne thus. Within this narrative there are echoes and direct parallels to the whole story Oedipus The King, the Castle of Otranto a rewriting of the Oedipus tale hence. Dramatic irony is pivotal to the success of a tragedy, as it leaves the character types totally sightless to the truth which the market or audience currently understands. In The Castle of Otranto, there are occasions of dramatic irony, situational irony, and verbal irony. In the very starting of the play the audience takes on that Conrad, Manfred’s child and potential heir, will have got a huge component in the story. The angle can be that Conrad passes away before he actually utters a term in a tale that at first alludes to end up being about him. He will make it to the wedding that Manfred offers hastened upon and rather fulfills his doom. Another instance of dramatic irony is when he follows who he believes to be Isabella with Theodore. Manfred makes an ill-fated mistake when he chooses to pull his dagger on somebody who transforms out to become.