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Hedda Gabler Essays

Project id 1015778
Subject area Self Improvement
Document type Essay
Words 1181
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Hedda Gabler can be a play with a fascinating main character undoubtedly; Hedda herself. While she may possess her faults, neurotic characteristics and undeniable issues it will be ignorant to disregard the fact that she actually is glaringly, most importantly a tragic victim. To be able to correctly showcase how Hedda falls relatively flawlessly in to the mould of a tragic victim we should first find out what specifically a tragic victim is definitely. The most fitting and prominent description appears to come from the Greek philosopher Aristotle in his ‘Poetics’, while his definition is in fact of a tragic hero rather than victim it really is never the much less still an exceptionally accurate definition and continues to be in a position to depict both victims and heroes similarly well; he tells us that a tragic victim -or hero- is of noble birth usually, had a tragic flaw that always leads with their downfall, be considered a character that the viewers can relate with and experience pity or dread for and that nov the character reaches least partially of their very own making. By this description Hedda is many a tragic victim certainly, and there is little room to argue from this. According to Aristotle’s description the victim ought to be of noble birth, and Hedda does certainly, while her lineage isn't always noble in a blue-blood type of way it can still actually leave her in an increased echelon of person. Her dad, we are informed, was a well-away general, his higher position reflects to Hedda and this implies that Hedda may be the child of high culture and her rank can be somewhat equal to what Aristotle could have regarded as noble in historic Greece. It is necessary to keep in mind that while Aristotle’s description could be the one we will work from but certain discrepancies should be expected, Aristotle offered us with the archety...

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