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Vengeance, according to the Oxford English Dictionary, is "[t]he act of avenging oneself or another" (Def. 1. A.) and appears as a frequent motive to a lot of characters throughout plays throughout Renaissance times. This idea of vengeance and revenge is within many of Shakespeare's plays, especially his most famous play Hamlet and also The Tempest. Both plays really have a strong focus on vengeance and getting revenge on somebody, but these ideas are very different today than they were in Shakespeare's time. Within this essay, it will be discussed vengeance and revenge are apparent in both Hamlet and The Tempest. Additionally, the differing notions on vengeance and revenge in the current society versus Renaissance occasions will be discussed. Within the play Hamlet, the notions of vengeance and revenge are very apparent. In reality, Hamlet "is in a grip of an inner compulsion" (Greenblatt 106) where he is obsessed with this notion of getting revenge for the death of his father, which he learns about the murder in Act I by his ghost. Additionally, this is when the audience learns how the present king, Claudius, killed his own brother with ear poison. During the last few scenes of Act I, the ghost has Hamlet follow him through the forest so that they can speak in private. Before King Hamlet's ghost tells Hamlet the truth about what happened, he says, "So art thou to revenge when thou shalt hear" (1.5.8). He is telling Hamlet he'll want or need to find revenge after the story he is about to hear. A couple of lines later the ghost tells Hamlet, "Revenge his foul and most unnatural murder" (1.5.25). This is a critical point in the play because the ghost is telling Hamlet that he must get revenge for the horrible murder that had occurred. In terms of Shakespeare's supposed fi...