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Fiction is considered to be an art of creation. As God has established the Earth, the writer also presents a brand new world of creativity, where things are more comprehensible and beautiful than they ordinarily are. The writer through his functions creates a new universe. He's influenced by the states of the era in which he works and creates. From the words of David Daiches "it's no doubt largely true that an age is represented in its literature which shows the tides of idea, the vagarities of emotions, the springs of activities which animated it men and women" (Dhull 1). Indian writers in English constitute a substantial group. Widely acclaimed as a gifted writer and winner of many awards, Chetan Bhagat has carved a place of himself in the Indian writers. Endowed with a searching psychological insight and effective at writing an intense prose work, Bhagat appears to have sensed the interest in young India and needs it to be conveyed to his subscribers. In this paper, the expressions of post-coloniality in Chetan Bhagat's novel One Night @ The Call Center have been discussed, where post-colonial aspects are exhibited in diverse forms and with varying implications. Over the last couple of years, post-coloniality has surfaced a website of creative engagement with the identity crisis of oppressed/subordinate self. It's been used as an umbrella term, under which exist imperialistic, hegemonic mindset and a colonized oppressed society. Writers of this post-colonial fiction have been engaged in this context depicting both the Indian culture as well as the hybridization of native culture on account of western impacts like apparel, ideology and cultural pursuits. Jahan Ramazani defines it as, "Post-colonialism, is concerned with what's.