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The Downfalls of Materialism at Alexander Pope's The Rape of the Lock Commodities have been a part of human culture from the Beginning of the first civilizations. They can be crudely assembled or richly created works of art; they're still things, nonetheless. Some people treasure their possessions more than anything on the planet. These items can become the driving force behind a individual's life and needs. When someone's prized possession is stolen, it may seem as though a disaster has taken place. Those who see the aftermath of a stolen ownership may remark on the triviality of both the theft and the owner's reaction to the reduction. At The Rape of the Lock, the Alexander Pope is commenting on the triviality of a missing ownership. Pope blurs the line between people's characters and their own possessions. He creates a world where individuals are their commodities and significant beliefs in society can also be changed into concrete objects which could be stolen from society. Ahead of the very first canto, the commenting on trivial objects begins in the letter to Mrs. Arabella Fermor out of Alexander Pope. In this part, Pope apologizes to the first edition and describes what he's inserted into the following edition. He even says why he has decided to add the spirits of the Sylphs, Gnomes, Nymphs, and Salamanders to the poem. The term "for the early poets are in one respect like most contemporary ladies: allow an act be never so trivial in itself, they always make it appear of the utmost significance" (Lipking 2526) clarifies Pope's argument through the poem. He even playfully pokes fun at Mrs. Arabella Fermor at the letter when he says, "(except the loss of your own hair, which I always cite with reverence)" (Lipking 2527), since the poem relies o.. .