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Dubliners and The Living Dead at his work "The Dead," James Joyce uses his character Michael Furey, Gretta Conroy's deceased love by her youth, as an apparent symbol of the way the dead have a loyal and constant power over the living. The dominant power which Michael maintains within the protagonist, Gabriel Conroy, is that Gabriel is confronted with the intense question of if his wife, Gretta Conroy, loves him and whether he honestly loves her. Joyce provides substantial information to convince one to feel that Gabriel does genuinely love his spouse. Although it is made evident to the reader which Gabriel possesses such loyalty and adoration for Gretta, Michael diverts Gabriel's assurance in his love, even causing Gabriel to come to terms with his understanding that his lifestyle is not as Gabriel once thought it to become. By means of this process of misleading realization, Gabriel has permitted himself to become one of the numerous surviving dead of his area in Dublin. During the taxi ride out of his aunts' party to his hotel, Gabriel reminisces about his and Gretta's lives together. Joyce enforces the enthusiasm of Gabriel's ideas, "Moments of their secret life together burst like stars on his own memory" (Joyce 173). Joyce proceeds to fill his readers ideas with illustrations of this Conroy's wonderful lifestyle: "He had felt proud and happy then, happy that she had been his pride in her grace and wifely carriage... after the kindling again of so many memories, so the very first touch of her body, musical and strange and perfumed, sent through him a keen pang of lust" (Joyce 175). Gabriel seizes Gretta at a fervent embrace and inquires into her ideas. Gretta hesitates at first then proceeds to spell out the tragic narrative...