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Naturalist writers of this early 20th century convey the idea that persons have been fated to all station in life their biological heredity and social environment prepare them for. People who profess to be proponents of this naturalist view see literature as a way to understand the character of man. Considering that "the naturalist found in scientific discovery only a confirmation of humankind's insecurities in the face of indifferent and inscrutable forces," their writings usually create an uninspiring idea of humanity's frailty (Strengell 11-12). Though the deterministic worldview is logical, it is difficult for many to resonate with helpless and characters that are doomed. Thus, the only means for the pragmatic framework of mind to achieve a wider audience is to present it in another and less monotonous way. "[O]ne of the signature traits of Naturalism appears to be the simplicity with which it unites in hybrids with other kinds" (Crow 123). Master of Horror Stephen King illustrates this concept in his novel, The Shining (1977), by intertwining the deterministic elements of Naturalism with Gothic and Horror. Combining these genres might appear to be a union of complete opposites, but what lies dormant on its own thrives from the pairing. Unlike many naturalist writers, King poses a character strength together with his or her faults. Though their deterministic traits imply that failure is imminent, the Gothic elements supply the background for developing sympathy and even comprehending to get a character's actions. By using these methods, King transforms a genre that's been mainly sought after for entertainment into insightful literature. From The Shining, King explores the triumphs and failures of naturalism, as he exemplifies the mor...