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Both Robert Frost and Edward Thomas use the idea of searching as a most important theme in their own poems and that can be shown in both 'For Once, then' Something' and 'The Glory'. In Frost's suggestion, the most important subject is all about Frost or the narrator of this poem, looking right down to a well, while others taunt him. He looks to the well, and finds his own reflection in the water beneath, but hopes to find something beyond his manifestation, something, anything that will give him reassurance, "I recognized as I presumed outside the picture and then I dropped it." 'The Glory' nevertheless is about one man's self doubt, and wondering about exactly what 'glory' really is. He looks to himself, and cannot find glory, and so appears to nature, "The glory of the attractiveness of the morning". 'For Once, subsequently, Something' is a sonnet, though it is not a sonnet at the typical sense. It contains fifteen lines rather than fourteen. Additionally, it is written in iambic pentameter but is composed of twenty five syllables in each line, instead of ten. This irregularity in structure and sentence could possibly be connected with the fact that Frost is hoping to emphasise the theme of seeing beyond everyday life and concentrating on the bigger picture, "As I thought, as I thought, beyond the picture/Through the image". 'The ' Glory' is written in a single big stanza consisting of twenty-eight lines. This could possibly underline the period of time it's shooting the speaker to search for glory. 'For Later, subsequently, Something' contains no rhyme plot whatsoever, and this is possibly due to the simple fact that the speaker is not able to find 'the bigger picture' by peering into the nicely, "Others left me with having, knelt at well-curbs/Always incorrect to the light." This is unusual because Frost was a really lyrical.