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Each fresh morn.New widows howl, new orphans cry, new sorrows strike paradise on the surface (qtd at Lawson, Sandra. 2013) At the eighty-five webpages play, Lafferty, Sherlock, and Wood exert their utmost attempt to record, organize, and also reconstruct a collage of verbatim testimonies, reports, and interviews eyewitnesses of the Syrian Revolution.The interviews have been conducted by Laffery in collaboration with veteran war correspondents: Sherlock and Wood. Lafferty and coworkers conducted interviews incognito with ordinary folks, activists, businesspersons, defectors, Free Syrian Army soldiers, and medical employees. Then, Lafftery not just adapted and edited the play for theater operation, but also guided it. The three compliers risked their personal safety and ordered to be covertly smuggled into the Syrian precarious property. Were they caught, they would have been, clearly, exposed to this horrendous Allied torture, killing machine. The Assad regime banned Western press, and journalists no longer needed some resistance. They could have been a valid target of any assault. At the start of the play, the readers are warned that the characters are genuine and the stories they link are true. The drama is a creative fusion of contemporary journalism and play. (SinГ©advertisement 2012). The play is a visceral historic documentation of the Syrian Revolution. The play begins with a recitation of a poem entitled: вЂњAnother Martyr RisesвЂќ by Omar Al Khani вЂ"a Syrian Revolution CoordinatorsвЂ™ Union Secretary General. This can be accompanied by information regarding the Finborough Theatre cast and jobs and the restart of celebrities and their functions in the play.The play is divided into two functions: Act I from webpage 25-53; Act II is by 54-85. You will find 21scene...