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Question: Explore Peter Hollindale’s declare that Peter Pan ‘retains its magical elasticity and its own ongoing modernity’ (Reader 2, p.159), with regards to different variations since its original creation. Peter Pan - whether as a stage play, a written book, a stage musical, a live-action film or a pantomime - has endured for greater than a century as arguably the most well-known, and most influential certainly, stories for children. Performed in 1904 first, the fairytale drama provides been addressing the ever-changing boundaries between adulthood and childhood since. Educationalist and literary critic Peter Hollindale - in 100 Years of Peter Pan (Reader 2, p. 159) - asserts that “the play retains its magical elasticity and its own ongoing modernity”, or that Peter Pan is normally fantastical and adaptable rather, and filled with lasting appeal for audiences still. In exploring Hollindale’s claim, this essay will consider the initial production in December 1904, the 1928 play text, Disney’s 1953 production, the Royal Shakespeare Company’s revolutionary production in 1982, the P.J. Hogan feature film of 2003, and the pantomime tradition. It shall consider how Peter Pan all together can be thought to be modern, and which areas of it, in addition to searching at how these factors have already been adapted over the entire years. It will further evaluate how JM Barrie’s script allows versatility with regards to constructions of childhood since its initial performance, and appearance at why Peter Pan is often seen as a prime example in the genre of the pantomime. At the proper time of the 1904 premiere at the Duke of York Theatre of Peter Pan, or The Boy Who Wouldn’t Grow Up, Barrie was at the elevation of his fame and it had been heralded as a theatrical extravaganza. It had been to become a magical specta...