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Narrative Styles in the Openings of Wuthering Heights and Silas Marner Silas Marner and Wuthering Heights are just two books in which the last is very important in an understanding of the conditions of the present. Both books deal with the thwarting of fires and their deformation to ugliness. Yet both books will also be involved with ways in which evils and incorrect choices could be made right as time passes. In both novels the past informs the present, and through actions of characters keen to address the past, the evils of the past can be alleviated or resolved in ways that suggest expect and spiritual advancement. At the opening of the two of these novels the authors invite the readers into the strange worlds that are the place of these stories. George Eliot uses a storytelling form, where she, as omniscient writer appears as the manual towards understanding the actions. In Wuthering Heights, Emily Bronte utilizes a distinctive narrative mode, permitting secondary characters to tell the story of Wuthering Heights and Thrushcross Grange. In both books the opening chapters prepare the reader to the complex weaving of character, psychology, landscape and scenario. Though Wuthering Heights is all about the love relationship between Heathcliff and Catherine, the narrative is told mainly form the point of view of Nelly Dean, a slave in the use of Ernshaw's who makes it very clear from the beginning of her storyline that she never enjoy Heathcliff. An individual could wonder if her perspective is to be considered reality, considering the issues of subjectivity of voice, though it weren't for the debut, in the very opening of the novel, in which the minor personality, Mr. Lockwood, opens the novel with his observations about the chaos he sees at Wut...