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Elizabeth Barrett Browning was a plain girl of the Victorian Era which was most remarkably gifted. She "was destined to eventually become famous to the entire world"(Preston xi). Elizabeth Barrett Browning became known for the poetry, since she showed unions were her women character were often left emotionally unstable. In her book Recollections, Browning describes what poetry means to himself. She explained that it "turned into a different thing with me; an item to see, believe, and await" (Preston xii). Browning was explained as a powerful woman-poet who had little to no instruction. She arrived in the "Italian hills to some prim English female household, and necessarily supposing there that attitude of superiority to everything about her that is so opposite to that of authentic genius" (Oliphant 1). Based on L. Roberts Steven of The Critical Survey of Poetry, "Elizabeth Barrett Browning didn't think it a kindness after critics praised her as a 'woman poet'''(397). She desired to be known as a poet. Browning's most important theme to her writings had been love plots, '' stated Schneller editor of British Women Writers. The arrangement of Browning's poems are unusually "centered on marriages that ruined the woman engaged"(Schneller 104). Browning's women characters were almost always youthful, perverse, and adventuresome women that if "dim into union", could frequently take part in a "scandalous event(s) with a robust lover"(Schneller 104). According to Schneller, the subject of love and union caught the attention of many readers, and made her known worldwide (104). Browning printed "The Seraphim and Other Poems" from 1838, along with the critic Glenn Everett believed that this collection of poems has been "the first quantity of Elizabeth's older poetry"(Everett 1). Many critics agreed that this was the start of Browning's road to victory. The critic Schneller disagrees with Everett and felt that "Sonnets from the Portuguese", "Casa Guidi Window", "Aurora Leigh", and "Last Poems" "represent(s) the finest of Elizabeth Browning's work"(106). The First Stages of her poetry have been called "a sinewy and idiosyncratic colloquialism", along with the bible of her proposal was too "sing-song along with "immature"(Leighton 106). Leighton describes how in "Sonnets from the Portuguese" Browning admits her strong emo...