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Letters and Correspondence in Austen's Emma Emma as the next phase in the epistolary novel Jane Austen’s novel Emma was created at the same time when the epistolary novel acquired just exceeded its peak (Cousineau, 32). Not merely perform letters and correspondence feature seriously in the novel, april Alliston but according to, “elements characteristic of novels of women’s correspondence recur in Austen” (221). A few examples of these components that Alliston provides will be the existence of youthful marriageable heroines; deceased moms, or threatening types which, in Austen’s novels, have become negligent merely; and substitute mothers who pass advice to the daughter (221). As epistolary novels were comprised of letters entirely, early novelists could assert the pretended truth of their function instead of label it as fiction (Cousineau, 28). Nevertheless, one disadvantage to the practice can be that artefacts such as for example letters are “inscribed in doubleness and contradiction" (Cousineau, 14). Letters provide as a medium between your letter-authors and the reader, a moderate which includes the potential to warp the reality based on the private and unidentified whims of the authors. By adopting an omniscient narration of her heroes’ thoughts rather, Austen “[focussed] the reader’s “gaze” on the private space that the heroine gazes away, thus fixing her even more squarely in its exemplary framework than letter fiction ever could” (Alliston, 234). Although this technique of narration “sacrifices the “documentary status” that eighteenth century fiction strove to attain” (Alliston, 236), Austen’s novels allow us to discover straight into a character’s thoughts. This both promises a far more reliable edition of "truth" by allowing the reader to understand a character’s genuine inspiration, an...