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Jack Kerouac and Donald Barthelme's Rebellion Against Corporate America Oh America, House of the red, white, blue, and green. Green as our greenest grass. Green as our forefather George onto a one-dollar charge. You also can work your way up our market-economy mountain for your own little green house. Climb the corporate mountain to provide to your spouse in her small green dress. With the green under your feet, hit for the gold in the sky. Oh America, this mountain is equally rich. As many Americans eagerly started and continued their climb toward the financial stability the Sixties claimed, a counterculture of authors and thinkers emerged trying to raise their own mountains, to tell their own story of their climb the way they know it. For Jack Kerouac, the narrative has been The Dharma Bums, by which a man discovers himself in the hills' chic, Buddha-like grace. Donald Barthelme borrows America's market-economy mountain of materialism and tries to recover it into his prose poem, "The Glass Mountain." Through their various mountain narratives, both Kerouac and Barthelme struggle a personal fight against the raging currents of corporate America. Jack Kerouac's mountain at The Dharma Bums has to signify exactly what Kerouac, or instead the principal persona Ray Smith, conceives as the perfect standard of living. During Ray's climb of Matterhorn with Japhy Ryder, Ray looks at Japhy using a particularly hierarchical understanding, [W]hat does he even care if he hasn't got any cash: he doesn't need money, all he needs is his rucksack with those little plastic bags of dried food and a good pair of shoes and off he proceeds to appreciate the rights of a millionaire in surroundings like this. (Kerouac 77) Ray then simplifies to beg...