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Photographs, despite their standing as a kind of proof, can be at most, an interpretation of reality because most importantly, cameras have a limited dynamic range (the range from light to dark) and a restricted number of field. Still, the human eye is much more subjective than the usual roll of film because past encounters, gossip and most importantly, emotion can alter the perception of a person. Perception can also be influenced by how somebody wishes to look and in reality, everybody knowingly acts to present a specific image. This is particularly true and perhaps mocked in Anna Karenina, where reality and appearance are connected much like the sides of a die ---- each facet is independent of the others, and yet without every side the reality of the die isn't complete. As multi-faced personalities, Kitty and Levin present an interesting case: as like-minded people looking for "harmonious" spouses, they both find it necessary to present a carefully maintained facade in order to attract members of the aristocracy who look to maintain the status quo. But even after these characters endeavor external an aura to please their peers, their characters could be translated in various ways, which need to be unsatisfactory to Kitty and Levin as they seek to change people's opinion and not simply sway it. In relation to Levin, Kitty is much more harshly flexible, that is, she will do anything to appear more desirable. After all, after seeing how popular and successful Anna is, Kitty is mesmerized by everything Anna does and then intentionally mimics Anna to draw attention to herself. And even following Kitty shakes off her infatuation with the idea of a perfect Anna, Kitty begins to "instinctively" replicate Varenka, who she sees "the perfection she co.. .