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Old South vs. New South in O'Conner's Everything That Rises Must Converge Flannery O'Connor's "Everything That Rises Need to Converge" depicts a stifling mother-son relationship where the conflict is under no circumstances resolved, or acknowledged even. This relationship is a metaphor which describes the transition from the Old South, using its inherent values used to justify slavery and segregation, to the brand new South, striving for justice predicated on equality. Mrs, Chestney (older South) and her child Julian (New South) signify, on an individual level, the interactions of their corresponding constituencies, "'The globe is chaos everywhere... I have no idea how we've allow it enter this mess", declares Mrs, Chestney about segregation, Unintentionally, she implicates her kind as the ongoing party accountable for the tension between Negroes [sic.] and Whites, She actually is saying, in place, "We dominated this race of individuals. Now it is becoming too problematic for us to keep up that control." Normally, she seems threatened. Josephine Hendin wrote that: The desegregation of buses and the overall rise of the Negro appear to her so very much chaos, a chaos where the old and the youthful, today's and the past, must collide violently. Blacks encroaching upon the energy structure which is integral to her behavior have forced her to either reassess her behavior, or substantiate it. She actually is a vintage woman, whose meaning alive is definitely reliant upon segregation, and she shall, in every case, choose the latter, In her discourse with her boy, Julian, she identifies a great-grandfather who was simply a slave owner proudly, the tragedy of "half-whites", and, as evidence for not really riding integrated buses only, a huge Black passenger sitting next to her, reading a newspaper. Her mani...