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The Phantom of the Opera is called the most effective musical in history, but its age most shows through some of the themes it displays clearly. Most visible to me, may be the fact that The Phantom of the Opera conforms to and supports traditional gender roles. This becomes evident after analyzing the characters and their interactions through the 25th anniversary production in London. All together, The Phantom of the Opera shows that the perfect man is authoritative, effective, decisive, and jealous, as the ideal woman is definitely feminine, indecisive, and naïve. Christine, getting the heroine and the like curiosity of both leading guys, is portrayed as a perfect female because she upholds the anticipated feminine gender roles inside our culture: sensitive, naïve, indecisive, and helpless. Her delicacy can be shown when she faints in the Phantom’s lair, and the Phantom must carry her. It really is clear that this increases her overall charm to the Phantom because he seems needed and important-something that hardly ever happens to him. Because Christine becomes more desirable to the Phantom when she actually is helpless and weak, that facilitates the gender normative functions of females. Furthermore, Christine blindly believed that tone of voice was the angel of music that her dad delivered to her, and that put into her innocence. Christine quickly accepted that idea therefore, making her appear naïve, which really helps to support the stereotype of females. In general, Christine is more desirable when a man is necessary by her help, those character characteristics exemplify the gender ideals for females, and the Phantom’s interactions with her concur that. As well as the real method that the Phantom thinks of Christine, Raoul’s interactions with Christine also show that The Phantom of the Opera facilitates archaic gender.