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Whether it be authors, painters, sculptors, musicians, or photographers, artists all around the world have striven to show people their views of the planet, of individuals, and even of the universe itself. Throughout history the creative impulse of man to gift to fellow men a different perspective or representation of life-or even the afterlife-has surfaced again and again in the kind of art. At times it comes through genius and complexity, full of significance and symbolism. Others, it's simple and void of some obvious meaning whatsoever other than that it's art. Soon, however, there became a point when the work of art was no longer something you may just consider and understand; the principle of this thing had shifted. Art jumped from viewable comprehension straight into the Modern motion where concept became art, and also to know it, an individual must know the theory it's based upon. Never was this more apparent than at the art of the abstract expressionist. Basically, art is not art due to theory, and art based on theory cannot be creative or truly said to be art. To understand all of this, from the beginning, an individual has to start with the Word. That is to say, an individual must start with the understanding of the theory, what became known as the painted Word, behind Modern artwork between 1945 and 1975. Probably the clearest and easiest to understand explanation for those theories and how they improved via Modern Art history was written by Tom Wolfe in a book cleverly titled The Painted Word. Wolfe has written several other books including From Bauhaus to Our Home and The Bonfire of the Vanities. Within the pages of this Painted Word one discovers a brilliant excuse of Modern Art and the theories it relies upon in addition to a record of their most influential critics and musicians of the moment. In order to consider why Modern Art isn't truly what one would predict artwork, exploration of the Word and the way that it developed is an absolute necessity. The simplest Means to Do so is by researching Tom Wolfe's novel. Wolfe explains that artists rely on the "culturati", or even higher society members whose thoughts and actions are within the spot light whatsoever times, to get their work noticed. These individuals enjoy the latest of the new because it gives them a form of social status that separa...