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How does Miler produce a sense of tension and conflict between John and Elizabeth Proctor in the beginning of Act Three? In Act Two, John and Elizabeth Proctor are conversing and you will find indications to indicate that there are tensions occurring in their marriage. Even though the primary theme of the 'The Crucible' is Witchcraft, this Act focuses mainly on the connection of John and Elizabeth. Miller uses a number of stunning devices, like stage directions to promote this point. Prior to this action the women have named the witches and John has returned from Salem. Considering that this is really where Abigail (whom John had an affair with) resides, it doesn't improve his dying marriage and connections with his spouse. Miller starts by setting the tone for the scene and explains the front room of Proctor's house. The area is called 'low, shadowy and quite long'; this immediately gives the feeling of a threatening and hostile location. Coupled with the empty room, this may signify isolation and symbolize the emptiness and absence of affection within the union. The term 'halts' is used to portray an image of a shocked John because he hears his wife singing, on his entrance to the home. Miller could have opted to incorporate this bit of info to be able to demonstrate the audience how Elizabeth is seldom in a fantastic frame of mind -- perhaps due to her failing marriage. John then proceeds to include further seasoning to the food which Elizabeth has already prepared. This action is one of several devices used demonstrating the absence of satisfaction and need for more within the marriage. When Elizabeth does finally enter to meet John, Miller is quick to show through her first field of address "What keeps you so late? It is nearly dar...