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Just one word inserted or removed may alter the sense of a story in a minute; creating tingles that trickle along the length of your spine or perhaps a perceptible movement to put down the piece and never pick this up again. Oftentimes an writer will write and rewrite their tales until they are perfect. Jack London was really one of those writers, sending his first version of "To Build a Fire" to a magazine prior to rewriting it into the masterpiece of that many are more comfortable with now. However, only one of those variations strongly exemplifies the tough fact and battle from uncontrollable and unpredictable nature which is realism and naturalism. In lots of ways are London's two distinct parts of work alike, but also in many ways are that different. Of all edits and changes by which London reconstructed his masterpiece the most prominent involved the major character, the barbarous descriptions of this cold, and plot variants. In "To Build a Fire" that there are numerous differences between the main character of the 1902 and 1908 versions. When London first setup to publish his own work in 1902 for a magazine, he also called the principal character by name, Tom Vincent, in addition to describing him as a "strapping young man, big-boned and large muscled, with faith in himself and in the strength of his mind and hands" (116). However, the most important character in the 1908 version was far more inconspicuous than its principal draft counterpart, even as the most important character is currently stripped of his title going only from the guy, without any other indicators as for his physical look. His character, on the other hand, appears to be a bit of a constant with just a small gap between the two adaptations. At the first work London inserted so...