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In A Midsummer Night's Dream, Shakespeare masterfully crafts a play with three different viewpoints that could be translated, when stitched together, in several of ways that range from seemingly obvious interpretations to ones a great deal more subtle. He finishes the play with an apology that's just as elusive as the play's interpretation. If one looks beyond the obvious, nevertheless, an individual can start to piece together a potential message which mortals, regardless of the power they hold on earth, are subject to far more hidden powers if they believe in them or not. Shakespeare's epilogue at the end of A Midsummer Night's Dream has haunted many critics and led to a lot of interpretations. During Robin, he clearly provides the viewer a message, but its meaning is ambiguous. It is apparently quite a disclaimer of some kind, but the exact nature of the offense and the rationale behind it is unclear: If we shadows have offended, Think but this, and all is mended: That you have but slumbered here, While these visions did appear; (Epilogue 1-4) When the shadows at the drama offend the viewer, one naturally wonders how and why. It is clear that Shakespeare wanted to escape "the serpent's tongue," which leads you to think he expected a negative reaction from the audience or at least felt it was possible. Therefore, he suggests for those who find offense to consider this drama as merely a fantasy, which will appear to spell out the title of this play. Still, the crowd has only watched the play where the Athenian fans explain the escapades of this night for a fantasy, that causes confusion in the interpretation of Robin's final speech to the viewers. Knowing the nature of the "offense" is a vital component in knowing Robin's closing words; nonetheless, one...