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Once on a time there was a tiny village. Within this village three hundred people happily farmed and also played and moved about their company. The kids went to college while the guys cut wood or farmed, and the women cooked and cleaned. Each summer in June all villagers took part in the standard lottery drawing and one villager was picked for the decoration -- a stoning. In 1948, Shirley Jackson printed this short narrative known as "The Lottery," in The New York Times. The story's plot stunned readers around America because they heard of the horror happening in this a quaint town. Jackson purposely put this tragic event in this innocent setting to emphasize humanity's cruelty. Utilizing her appalling short story, The Lottery, Shirley Jackson alerts readers with the unkind and unkind components of a seemingly pleasant setting in addition to vague characters in order to demonstrate the inhumanity of culture. Jackson provides a specific date making the story believable although nonetheless ambiguous, so as to prove that this horrible tradition is plausible. Being printed in this a modern period as 1948, the narrative shocks readers since this cruel act appears too much from person's "civilized behaviour" (Friedman, Lenemaja 63). But this assumption reveals man's ignorance of his own capability for this horrible clinic; the ambiguity of the story's time frame reveals that this may happen any time or any where. This June date supplies readers with a reference point to a time in their own lives, and critic Jennifer Hicks suggests "you can envision herself or himself in similar environment" (147). This realism is essential to the portrayal of this horror story since it generates the doubt and shock when the ending is shown (Brooks, Cleanth 30)...