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Tragic Heroism: In Sophocles' play Antigone, the nature of Creon exemplifies a tragic hero more than the characters of Antigone or even Medea since he experiences a fall from grace and his comfortable position, owns a tragic flaw, also takes the obligation of his activities in a manner that doesn't blame anyone and "shows enlightenment and growth", all in accordance with Aristotle's definition of a tragic hero. ("Connections: A Theory," 2000). In the play Antigone, Creon falls from grace and loses all, which will be a significant component of Aristotle's tragic hero definition. According to Aristotle, a tragic hero ought to be someone "highly renowned and prosperous" ("Connections: A Theory," 2000). This is critical to the plot of the tragedy and the emotions that the audience is supposed to get after the play is over. The protagonist must be renowned so that the audience is due to the fact that the catastrophe could happen to a person so great, causing the audience to also think about the things that could occur to them being of low stature. Since Creon makes conclusions within his first few days in office he makes it very clear that he has "no use to the man who places private friendship over the public welfare." (Ant. Scene. Line). Little did he know that his own personal interests could be tested shortly. Finally the king of Thebes is left alone to mourn the deaths of his son and wife, just as others are, due to no fault but his own. Owing to his prestige and position, Creon is capable as a tragic hero than Antigone because although she is royalty, he is a better suited hero because he is a king. Her tragedy would not create the identical impact on the crowd because Creon's would because the purpose of this catastrophe is to humble the audienc...