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"Whenever people come together for almost any reason, music is there, weddings, funerals, graduation from college, men marching off to war, arena athletic events, a night on the town, prayer, a romantic dinner, and mothers rocking their infants to sleep and college students studying with audio for a background--music is and was [always] part of the fabric of normal life" states Daniel Levitin (Shah). Music appears to be among the most primitive and fundamental aspect of human culture (Shah). Some researchers indicate that music predates language itself and as Henry Wadsworth Longfellow once said, "music is the universal language of mankind." Some eight primary themes can be said to characterize state music (Buckley 294). Songs occasionally only contain a single, whereas others include a couple (Buckley 294). However, the notion is for one to restrain and the others are subordinate roles. The fundamental or the controller theme dictates the music classification (Buckley 294). The topics are gratifying and fulfilling love connections, unsatisfactory love relationships, houses and household, nation, work, individual worth, rugged individualism, and patriotism (Buckley 294). The topics unmistakably express daily life issues and feelings (Buckley 296). Although other genres of music comprise a number of these themes nation is the only one which contains all eight (Buckley 296). These themes are emblematic and form a world that is prevalent to country (Buckley 296). Secondly, the topics never alter (Buckley 296). Writers frequently try to recreate the topics so they present differently but finally stay unchanged (Buckley 296). Third, the nonappearance or presence of devices does not normally create music country (Buckley 296). Fourth, state music allure...