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Mozart's Don Giovanni Among the most interesting challenges in operatic composition, is writing for all of the specific characters. A composer has to distinguish between characters through his songs. Jan can not sound like Fran, and Dan can't seem like Stan. Each character must have their own traits. Mozart's opera, Don Giovanni, provides us with lots of unique personalities to compare and contrast. 1 scene in particular lends itself to the contrast of Don Giovanni, Leporello, along with The Commendator. Scene fifteen of Act two, puts all 3 characters in close discussion with each other, which makes it easy to compare and discover out just how Mozart and his Librettist Lorenzo da Ponte brought them all to life. Lorenzo de Ponte's libretto stipulates the most important character attributes of Don Giovanni, Leporello, along with The Commendatore. It gives an easy means of distinguishing between the characters. Don Giovanni is depicted as being clever, magical, and courageous, yet selfish, arrogant, womanizing, and respectful. We see every one of these traits in the finished dinner scene. These opposing traits set up a love hate relationship of Don Giovanni. Leporello on the flip side, is wimpy, subservient, nervous, and also a bit dumb. He's frequently the butt of Don Giovanni's jokes, and so is always being bossed around. He can be considered as the comic relief of the opera. In the dinner scene we get a clear feeling of Leporello becoming a wimpy idiot. The Commendatore returns, after being murdered by Giovanni, as a ghost. He's portrayed as being a powerful, strong, and menacing. He tries to create Don Giovanni repent for all the horrible things that he did. From the dinner scene he's really a strong being from outside. His power is dem...