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The Serpent-Vampire in Keats's Lamia The origins of the lamia misconception is situated in one of the like affairs of Zeus. The Olympian falls in like with Lamia, princess or queen of Libya, which was, for the Greeks, the entire region of Africa. When Hera discovers out about their like, she damages each of Lamia's kids at delivery. In her agony, Lamia withdraws to the stones and caves of the sea-coast, where she preys on additional women's kids, consuming them and stroking their bloodstream. To compensation his mistress, Zeus provides her the power of shape-shifting. As a reflection of this versatility perhaps, the monstrous race of lamiae of Africa are composite beings, with the relative heads and breasts of women, but the physical bodies of serpents. In this earliest incarnation, Lamia is a cannibal and a blood sucker. Lamia's placement in the misconception can be obviously that of the outcast. She is normally an deserted mistress, a non-Greek, and a violator of the nearly general taboo against eating human being skin. That she requires on this part out of suffering over the reduction of her very own kids will not really, nevertheless, arouse compassion. The lamiae later on arrive to end up being even more carefully connected with vampires who come back from the plot to pull the bloodstream of the living. Since no arranged community tolerates vampires, such a beast is usually otherness or difference personified. Various other feminine mythic statistics display affiliations with the lamia and its vampirism - the human femme fatale, the goddess who gives the main character a heaven of growing old and convenience, and the feminine creature, visibly horrible sometimes, apparently benign sometimes, that lurks in cliffs (Skylla), under the lakes and rivers (Kharybdis), and on the stones (Sirens). Homer's Odyssey easily provides us illustrations of all of these ladies. The human femme fatale, showed mo...