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"Too good to our ears and a tremendous variety of notes, my dear Mozart." To which he responded "Exactly as many, your majesty, as are necessary" (Turner 258) The case that I attended for MUS111 was Mozart's Opera Buffa, Abduction from the Seraglio, first introduced in Vienna July 16, 1782. The opera was introduced by Opera Atelier with musical accompaniment by Tafelmusik Baroque Orchestra at Toronto's Elgin Theatre. The Abduction from the Seraglio is an opera Singspiel in 3 acts. It's an irreverent comic opera based from the commedia dell'arte tradition. The Abduction from the Seraglio, or at the first German, Die Entführung aus dem Serail, was written in German for Vienna's new national Burgtheatre, established by Emperor Joseph II as a place for German language operas (Osborne 181). Opera Atelier's production was filmed in German with English surtitles and recitatives. Opera Atelier specializes in opera, ballet and drama from the seventeenth and eighteenth centuries. Opera Atelier's productions draw from the aesthetics and ideals of this period represented, and feature period ballet, drapes and first tools (OA App 39). Mozart collaborated with Gottlieb Stephanie on the libretto for Abduction from the Seraglio, that has been adapted from a previous work (Dent 71). The opera's libretto is based on an inventory commedia dell'arte scenario, an Italian heritage which comprises plays where a gorgeous young person has been held captive with a controlling authority figure. Their rescue becomes the impetus of the drama and is typically executed by a fan closer to the captive in status (OA Program 16). The production in the Elgin theatre did not stray in this template. Abduction from the Seraglio, Mozart's Singspiel or "play w.. .