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Silko's Ceremony and the Hermeneutic Circle Ceremony is a novel meant to change us. It is a narrative, which instructs and enlightens, but it is also an instrument for about. It is beneficial in an extremely practical sense: It educates us about being linked to our planet, about gap and the other. These are just a couple of the possible tangible effects the publication has on readers, and truly, the limiting factor in the amount of possible applications for Ceremony is only the number of those who read it. One of those individuals who has read Ceremony and outlined the impact the publication had on her is Alanna Kathleen Brown, a professor from the English department at Montana State University, whose essay is entitled "Pulling Silko's Threads Through Time: An Exploration of Storytelling." She's not a Native American, but has seen all kinds of ways of interacting with text. She's attracted Native American storytelling, and with it many different tribal attitudes, in to her own life, and attributes a lot of this to Silko's style of storytelling. Silko creates a ceremony-written-down a reader can engage with on an active level. Between Silko's story, and style of storytelling, and Brown's studying, there's room for a different literary concept that may shed light on why many non-Indians can relate to Native American Literature, and this theory sounds custom built for Ceremony. It is the idea of the Hermeneutic Circle, an ancient thought in European literary thinking, but a useful one that relates literature in lots of the same ways Silko and her peers do. Hans-Georg Gadamer, a significant player in hermeneutic circles, describes the simple goal of literature: and hermeneutics: "something distant needs to be attracted close, a certain strangeness...